Showing posts with label the theatre. Show all posts
Showing posts with label the theatre. Show all posts

Tuesday, March 20, 2012

life, or otherwise


I’ve listened to my share of This American Life. I’d consider myself a fan; I also saw Mike Daisey’s show The Agony and Ecstasy of Steve Jobs when it first ran here in D.C. about a year ago. The apparently volatile combination of the two on an episode of TAL has turned both his one-man monologue and TAL into strange bedfellows.

First, it’s clear that Daisey used a considerable amount of embellishment/fibbing/lying when creating his script. In particular, Ira Glass and crew question the following (we know this from the Retraction episode last weekend): he didn’t go to 10 factories, he went to either 3 or 5; he didn’t talk to anyone who was poisoned by some type of industrial cleaner (though admittedly, that did happen); he didn’t talk to any underage kids (Daisey maintains that he did talk to a 13-year old); and that there were no guards with guns at the Apple factory he visiting in China. As theater, Daisey should admit fully that his monologue is taken from his visit, news reports, and Apple reports. He should simply say that in theater the picture he is weaving is true even if these things didn’t happen directly to him. As he attempted to point out in last week’s episode, he was creating the arc of a story. Unfortunately, for both TAL and Daisey, this is all pretty sour; TAL will survive because it’s a stronger brand; Daisey may not.

About TAL – Ira Glass and crew, who readily admitted twice during the last episode that they were wrong to not kill the story, really come off as complete assholes. If their decision was to kill the first episode, but then begin to investigate Daisey and his facts, I consider that fair game. But Glass’ repeated admissions to not upholding the vetting and fact-checking of TAL for this story rings hallow as they simply grill Daisey and his work. Instead of simply starting any episode with a retraction that could have filled 3-5 minutes, they decided that the better path was to try to get Daisey to defend himself, which he couldn’t, and put that out there as some sort of detraction (an hour long detraction…) from their error. No matter what Glass says, it was a purely vindictive move; a move he knew that Daisey would take a bite at if offered.

When Glass finally enters part III of the episode and brings in the experts from the NYTimes, what we hear is that the arc of the story is correct: the long work hours, the deaths and injuries (via explosions and failure to stop them), the bad living conditions, etc. What Daisey created via the story was true – and Ira’s NYTimes sleuth confirmed that by explaining to Ira the conditions and how they relate to what we as Americans consider harsh. That was the story.

I haven’t listened to the initial episode they aired with Daisey, but I saw the show. I’ll go back and listen to TAL’s story in a minute. But, what I didn’t hear at all in the Retraction episode was an overview of how in the monologue Daisey takes you from his fucking absolute love of Apple products to the point where he has to decide whether those conditions supported by American consumers, in fact created by American consumers (per Ira’s NYTimes pal), are worth the harsh conditions of Apples factories overseas. And in that production, Daisey did a fantastic job.

Both Daisey and TAL are on the hook for this 15 minutes of fame. Since I consider TAL to be a story-weaving show, regardless of Ira Glass’ declaration of journalistic integrity, Daisey had woven a story. If TAL is seriously going to stand tall and declare that they’ve never embellished a story for emotional effect then I’d be very surprised. What this all stinks of to me is TAL using the heft of their history to use Daisey as an excuse for their failed process, and to simply exact revenge for what they consider a hoodwinking.

I can defend Daisey’s story, but he’s a bit harder to stand up for without questions. I understand the theatrical aspect of the monologue, I arrive at the same place he does at its conclusion, and I wish he’d be more forthright in the details. But, I won’t crucify him for it. Ira Glass will, and that is more bothersome than the fact that Daisey’s question as posed is actually correct.

Wednesday, September 28, 2011

surreys and things....


A few months ago one on my all-time favorite podcasts changed format. Musicheads, at The Current, decided it would be best to go from a high-quality product with reviews of three new albums to a Blender-like pile of junk. I miss Musicheads, and for good reason: I probably got 10-12 new artists or CDs out of the reviews over the course of a year.

This got me thinking this morning as I was commuting to work. My commute is longish, but quite pleasant: walk, bus, train, train, bus, walk (it's an anagram!). Anyway, I rip through endless podcasts once again, and my list of greats has changed a bit. Much like great musical artists - it's hard to keep it going for years without losing freshness. So, aside from Musicheads, which was one of my all-time favorites, here's a good list: The Moth, WTF with Marc Maron (my new favorite), and Splendid Table. Truth be told, Splendid Table should wear much thinner than it does, but I'm a food junkie so it's forgiven. Great stuff every week. I still run through This American Life, Car Talk, and Wait Wait! every week (simply because of the vast time to fill), but I don't feel committed. As an aside, I'm quite comforted by Prairie Home Companion, but they don't podcast the entire show each week. I've been listening for about 25 years and I'd be happy enough to catch up each week - never happens. Also, a call out to Thistle and Shamrock - what? you can't put up a podcast? Are you living in the 1990s with Garrison? I digress.

I'm going to Oklahoma! tomorrow night with WonderTwin2. We've learned a few things over the last few months: neither WonderTwin1 nor Corey could give a shit about musicals. I, for one, love all theatre, and it appears that Kt loves musicals so we are on for theatre dates. I don't sing. I don't dance, but I love some live performances. I also prior to the '(hating musicals' revolution) grabbed her two tickets for the Billy Elliot musical at Kennedy later this year - a box so her and Angry Bear could go on a nice date - but now I suspect she might have to coax him out of the den with the promise of a nice dinner at Cedar. Food often will soothe beasts.

I have and entire post-and-a-half about X and the Missoni sale at Target from earlier this month. I need to gather the narrative before I expose the World.

Love to all.

t

i order the large cup of coffee


Well, maybe I’m settled in after nearly three months at the new job. Plus, I’m out of school for a quarter so I’ll have all my evening free until after the New Year (I only have one quarter left, but they aren’t offering two of the last three classes I need so I’m in holding for a bit). I am working a brunch on Saturdays and Sundays (at least until about Thanksgiving) so sleeping in and weekend days are a bit garbled up.

Apparently there’s a coffee mug in the house that X doesn’t care to use. It’s one she brought home not long ago, and it mirrors any number of big, bulky,’ bust-a-head’ open mugs that we’ve gathered over the years. The funny thing is that about a week ago I found the mug stored in a cupboard above the microwave (there’s nothing up there but rarely used dry goods) when I was grabbing some pasta. I figured that Henry has put it up there while fulfilling his duty as dishwasher emptier – even though that made no real sense – so I took it down and used it a day or two later for coffee. I hadn’t realized it had gone missing again until Monday night when I went to the cloth napkin drawer at dinner, and there it was tucked away with the linen. What the hell? Now I knew that Henry was crazy: the napkin drawer on the other side of the kitchen? I put it on the counter as I headed back to the table and it was then that X pointed out, in a threateningly/meek manner, that she didn’t like that mug and didn’t want any coffee in it…ever. So, instead of simply saying that she didn’t like the mug – and we didn’t get into any detail in that area because I was laughing too hard – she was attempting to hide it “where I wouldn’t find it.” This is reminiscent of her pointing out a few years back that she didn’t care for shitake mushrooms (after three years of my using them), and last month where she said she didn’t want hummus ever again. I caught me a good one.